Photography and Photojournalism [index]
Allen, James, et al. Without Sanctuary: Lynching Photography in America. Santa Fe: Twin Palms, 2000.
Bacon Hales, Peter. Silver Cities: The Photography of American Urbanization, 1839-1915. Philadelphia: Temple University Press, 1984.
Barger, M. Susan and William B. White. The Daguerreotype: Nineteenth Century Technology and Modern Science. Washington: Smithsonian Institution Press, 1991.
Barnhurst, Kevin G., and John Nerone. “Civil Picturing vs. Realist Photojournalism: The Regime of Illustrated News, 1865-1901.” Design Issues 16:1 (Spring 2000): 59-79.
Batchen, Geoffrey, et al., eds. Picturing Atrocity: Photography in Crisis. London: Reaktion, 2012.
Baynes, Ken, ed. Scoop, Scandal and Strife: A Study of Photography in Newspapers. New York: Pantheon Books, 1971.
Bethune, Beverly M. “Things That Speak to the Eye: The Photographs of Charities, 1897–1909.” American Journalism 11, no. 3 (1994): 204–18.
Bezner, Lili C. Photography and Politics in America: From the New Deal into the Cold War. Baltimore: Johns Hopkins University Press, 1999.
Bisbee, A. The History and Practice of Daguerreotyping. Dayton: L.F. Clafin, 1853.
Blair, Sara, Harlem Crossroads: Black Writers and the
Photograph in the Twentieth Century. (Princeton: Princeton University Press,
Blair, Sara, and Eric Rosenberg. Trauma and Documentary Photography of the FSA. Berkeley: University of California Press, 2012.
Bolton, Richard, ed. The Conflict of Meaning: Critical Histories of Photography. Cambridge: MIT Press, 1989.*
Brayer, Elizabeth. George Eastman: A Biography. Baltimore: Johns Hopkins University Press, 1996.
Brennen, Bonnie. “Strategic Competition and the Photographer’s Work: Photojournalism in Gannett Newspapers, 1937–1947.” American Journalism 15, no. 2 (1998): 59–77.
Brennan, Bonnie, and Hanno Hardt, eds. Picturing the Past: Media, History, and Photography. Urbana: University of Illinois Press, 1999.
Brown, Elspeth H. The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884-1929. Baltimore: Johns Hopkins University Press, 2005.
Brown, Julie K. Making Culture Visible: The Public Display of Photography at Fairs, Expositions, and Exhibitions in the United States, 1847-1900. Amsterdam: Harwood, 2001.
Brown, Michael. “Discriminating Photographs from Hand-drawn Illustrations in Popular Magazines, 1895–1904.” American Journalism 17, no. 3 (2000): 15–30.
Buckland, Gail. Fox Talbot and the Invention of Photography. Boston: David R. Godine, 1980.
Buell, Hall. Moments: The Pulitzer Prize Photographs. New York: Black Dog and Leventhal, 1999.
Burroughs, Henry D. Close-ups of History: Three Decades through the Lens of an AP Photographer. Columbia: University of Missouri Press, 2007.
Bush, Alfred L., and Lee Clark Mitchell. The Photograph and the American Indian. Princeton: Princeton University Press, 1994.
Carlebach, Michael L. The Origins of Photojournalism in America. Washington DC: Smithsonian Institution Press, 1992. (pre-1880s period)
Carlebach, Michael L. American Photojournalism Comes of Age. Washington DC: Smithsonian Institution Press, 1997.
Cawthra, Benjamin. Blue Notes in Black and White: Photography and Jazz. Chicago: University of Chicago Press, 2011.
Howard. Truth Needs No Ally:
Inside Photojournalism. Columbia:
University of Missouri Press, 1994.
Coe, Brian. The Birth of Photography: The Story of the Formative Years, 1800-1900. New York: Taplinger Publishing Co., 1976.
Coe, Brian. George Eastman and the Early Photographers. London: Priory Press, 1973.
Coleman, A.D. Depth of Field: Essays on Photography, Mass Media, and Lens Culture. Albuquerque: University of New Mexico Press, 1998.
Collins, Kathleen, ed. Shadow and Substance: Essays in the History of Photography. Bloomfield Hills, Mich.: Amorphous Institute Press, 1990.*
Cookman, Claude H. A Voice is Born: The Founding and Early Years of the National Press Photographers Association. Durham, NC: National Press Photographers Association, 1985.
Coopersmith, Jonathan. "From Lemons the Lemonade: The Development of the AP Wirephoto." American Journalism 17:4 (Fall 2000): 55-72.
Curtis, James. Mind's Eye, Mind's Truth: FSA Photography Reconsidered. Philadelphia: Temple University Press, 1989.
Dance, Robert, and Bruce Robertson. Ruth Harriet Louise and Hollywood Glamour Photography. Berkeley: University of California Press, 2002.
Daniel, Pete, et al. Official Images: New Deal Photography. Washington DC: Smithsonian Institution Press, 1987.
Darrah, William Culp. Stereo Views: A History of Stereographs in America and Their Collection. Gettysburg, PA: Times and News Publishing, 1958.
Davis, Caitlin S. “Lee Miller: Photographer of War.” PhD dissertation, Rutgers University, 2005.
Melody D. “Doubling the Vision.
Women and Narrative Stereography: The United States, 1870–1910.”
PhD dissertation, City University of New York, 2004.
Dejardin, Fiona M. “The Photo League: Left-wing Politics and the Popular Press.” History of Photography 18:2 (1994): 159-173.
Denny, Margaret. “Image Makers, Picture Takers: Illinois Women Photographers, 1850–1900.” Journal of Illinois History 10 (Summer 2007): 133–56.
Denny, Margaret H. “From Commerce to Art: American Women Photographers 1850–1900.” PhD dissertation, University of Illinois, Chicago, 2010.
Dinius, Marcy J. The Camera and the Press: American Visual and Print Culture in the Age of the Daguerreotype. Philadelphia: University of Pennsylvania Press, 2012.
Doherty, Robert J. Social-Documentary Photograph in the USA. New York: Amphoto, 1976.
Dolan, Julia K. “‘I Will Take You into the Heart of Modern Industry’: Lewis Hine’s Photographic Interpretation of the Machine Age.” PhD dissertation, Boston University, 2009.
Earle, Edward W., ed. Points of View: The Stereograph in America- A Cultural History. Rochester, NY: Visual Studies Workshop Press, 1979.
Edwards, Elizabeth. The Camera as Historian: Amateur Photographers and Historical Imagination, 1885-1918. Durham: Duke University Press, 2012.
Ezickson, Aaron Jacob. Get That Picture! The Story of the News Cameraman. New York: National Library Press, 1938.
Faas, Horst: Requiem: By the Photographers who Died in Vietnam and Indochina. New York: Random House, 1997.
Faber, John. Great Moments in News Photography. New York: Thomas Nelson and Sons, 1960.
Finnegan, Cara A. Picturing Poverty: Print Culture and FSA Photographs. Washington: Smithsonian Institution, 2003.
Foresta, Merry A. Secrets of the Dark Chamber: The Art of the American Daguerreotype. Washington DC: Smithsonian Institution Press, 1995.
Friedman, Joseph S. History of Color Photography. New York: Focal Press, 1968.
Fulton, Marianne, ed. The Eyes of Time: Photojournalism in America. Boston: Little, Brown, 1988.
Gersheim, Helmut. A Concise History of Photography. London: Thames and Hudson, 1965.
Gidal, Tim N. Modern Photojournalism: Origins and Evolution, 1910-1933. New York: Macmillan, 1973.
Gold, Matthew K. “The Culture of Proof: Science, Religion, and Photography in America, 1780–1875.” PhD dissertation, City University of New York, 2006.
Goldberg, Vicki, ed. Photography in Print: Writings From 1816 to the Present. Albuquerque: University of New Mexico Press, 1981.
Goldberg, Vicki. Margaret Bourke-White: A Biography. New York: Harper and Row, 1986.
Vicki. The Power of Photography:
How Photographs Changed Our Lives. New
York: Abbeville Press, 1991.
Goldberg, Vicki, and Robert Silberman. American Photography, A Century of Images. San Francisco: Chronicle Books, 1999.
Goodyear, Frank Henry III. “Constructing a National Landscape: Photography and Tourism in Nineteenth Century America.” Phd dissertation, University of Texas-Austin, 1998.
Gordon, Linda. Dorothea Lange: A Life Beyond Limits. New York: Norton, 2010.
Green, Jonathan. A Critical History of American Photography. New York: Abrams, 1984.
Grunder, Sarah Lucinda. “The Spectacle of Citizenship: Halftones, Print Media, and Constructing Americanness, 1880–1940.” PhD dissertation, College of William and Mary, 2010.
Guimond, James. American Photography and the American Dream. Chapel Hill: University of North Carolina Press, 1991.
Hales, Peter Bacon. Silver Cities: The Photography of American Urbanization, 1839-1915. Philadelphia: Temple University Press, 1984.
Hales, Peter Bacon. William Henry Jackson and the Transformation of the American Landscape. Philadelphia: Temple University Press, 1988.
Hannigan, William, and Ken Johnston. Picture Machine: The Rise of American News Pictures. New York: Abrams, 2004.
Hansom, Paul. "All Consuming Modernism: The Photo Essay and American Historical Consciousness." PhD dissertation, University of Southern California, 1999.
Hariman, Robert, and John Louis Lucaites. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press, 2008.
Harris, John M. “America’s Vision of War: A History of Combat Photography in the United States as Seen through Three Images.” PhD dissertation, University of Washington, 2011.
Hausman, Carl. “George Eastman: 100 Years of a Marketable Camera.” Media History Digest 8:2 (Fall-Winter 1988): 2-7.
Henisch, Heinz K. and Bridget A. Henisch. The Photographic Experience 1839-1914: Images and Attitudes. University Park: Penn State University Press, 1994.
Hicks, Wilson. Words and Pictures: An Introduction to Photojournalism. New York: Harper and Brothers, 1952. (LIFE photographer)
Hill, Jason Edward. “Artist as Reporter: The PM News Picture, 1940–1948.” PhD dissertation, University of Southern California, 2011.
Hodgson, Pat. Early War Photographs. Boston: New York Graphic Society, 1974.
Holloway, David, and John Beck, eds. American Visual Cultures. New York: Continuum, 2005.
Horan, James D. Matthew Brady: Historian With a Camera. New York: Crown, 1955.
Heron, Liz and Val Williams, eds. Illuminations: Woman Writing on Photography From the 1850s to the Present. Durham: Duke University Press, 1996.*
Holly, Michael A. Past Looking: Historical Imagination and the Rhetoric of the Image. Ithaca: Cornell University Press, 1996.
Hughes, Jim. W. Eugene Smith, Shadow and Substance: The Life and Work of an American Photographer. New York: McGraw-Hill, 1989.
Jacob, Marc, and Richard Cahan. Chicago Under Glass: Early Photographs from the Chicago Daily News. Chicago: University of Chicago Press, 2007.
Jenkins, Harold F. Two Points of View: The History of the Parlor Stereoscope. Elmira, NY: World in Color Productions, 1957.
Jenkins, Reese V. Images and Enterprise: Technology and the American Photographic Industry, 1839-1925. Baltimore: Johns Hopkins University Press, 1975.
Jenkins, Reese V. "Technology and the Market: George Eastman and the Origins of Mass Amateur Photography." in Technology and American History, Stephen H. Cutcliffe and Terry S. Reynolds, eds., Chicago: University of Chicago Press, 1997.
Jensen, Robin E., Erin F. Doss, and Rebecca Ivic, “Metaphorical Invention in Early Photojournalism: New York Times Coverage of the 1876 Brooklyn Theater Fire and the 1911 Shirtwaist Factory Fire.” Critical Studies in Media Communication 28 (October 2011): 334–352.
Johnson, William S. Nineteenth Century Photography: An Annotated Bibliography. Boston: G.K. Hall and Co., 1990.
Patricia, ed. Seeing High &
Low: Representing Social Conflict in American Visual Culture.
Berkeley: University of California Press, 2006.
Jussim, Estelle. Visual Communication and the Graphic Arts: Photographic Technologies of the Nineteenth Century. New York: Bowker, 1983.
Kahan, Robert S. "The Antecedents of American Photojournalism." Ph.D. dissertation, University of Wisconsin, 1969.
Kahan, Robert S., and J.B. Colson. “More than Art: P.H. Emerson as a Nineteenth Century Photojournalism Pioneer.” Journalism Quarterly 63:1 (Spring 1986): 75-82.
Kaplan, John. "The Life Magazine Civil Rights Photography of Charles Moore." Journalism History 25:4 (Autumn 1999): 126-39.
Kasher, Steven. The Civil Rights Movement: A Photographic History. New York: Abbeville Press, 1996.
Kelbaugh, Ross J. Introduction to Civil War Photography. Gettysburg: Thomas Publications, 1991.
Kies, Emily B. "The City and the Machine: Urban and Industrial Illustration in America, 1880-1900." PhD dissertation, Columbia University, 1971.
Kinkaid, James C. Press Photography. Boston: American Photographic, 1936.
Kismaric, Susan. American Politicians: Photography From 1845-1993. New York: Museum of Modern Art, 1994.
Lange, Dorothea. Impounded: Dorothea Lange and the Censored Images of Japanese-American Internment. New York: Norton, 2008.
Larson, Judy L., ed. The Graphic Arts and the South. Fayetteville: University of Arkansas Press, 1993.*
Leekley, Sheryle, and John Leekley. Moments: The Pulitzer Prize Photographs. New York: Crown, 1978.
Lewinski, Jorge. The Camera at War: A History of War Photography from 1848 to the Present Day. New York: Simon & Schuster, 1980.
Loengard, John. Life Photographers: What They Saw. Boston: Bullfinch, 1998.
Lothrop, Eaton S. A Century of Cameras. Dobbs Ferry, NY: Morgan and Morgan, 1973.
Linfield, Susie. The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press, 2010
McEuen, Melissa A. Seeing America: Women Photographers Between the Wars. Lexington: University Press of Kentucky, 1961.
McCabe, Linda Rose. The Beginnings of the Halftone. Chicago: Inland Printer, 1924.
McDaniel, Colleen. Picturing Faith: Photography and the Great Depression. New Haven: Yale University Press, 2004.
McGivena, Leo E. The News: The First Fifty Years of New York's Picture Newspaper. New York: News Syndicate, 1969.
Masur, Louis P. The Soiling of Old Glory: The Story of a Photograph that Shocked America. New York: Bloomsbury, 2008.
Melterzer, Milton. Dorothea Lange: A Photographer’s Life. New York: Farrar Straus Giroux, 1978.
Mendelson, Andrew. "Slice-of-Life Moments as Visual Truth: Normal Rockwell, Feature Photography, and American Values in Pictorial Journalism." Journalism History 29:4 (Winter 2004): 166-178.
Mendelson, Andrew L., and Carolyn Kitch. “Creating a Photographic Record of World War I: “Real History” and Recuperative Memory in Stereography.” Journalism History 37: 3 (Fall 2011): 142-150.
Mensel, Robert E. “Kodakers Lying in Wait: Amateur Photography and the Right to Privacy in New York, 1885-1915.” American Quarterly 43:1 (March 1991): 24-45.
Michal, Eileen M. “Picture-Loving: Photomechanical Reproduction and Celebrity in America’s Gilded Age.” PhD dissertation, University of Chicago, 2008.
Moeller, Susan D. Shooting War: Photography and the American Experience of Combat. New York: Basic Books, 1989.
Moments in Time: 60 Years of Associated Press News Photos. New York: The Associated Press, 1993.
Mommonier. Mark. Maps With the News. Chicago: University of Chicago Press, 1989.
Newhall, Beaumont. The Daguerreotype in America. New York: Duell, Sloan & Pearce, 1961.
Newhall, Beaumont. The History of Photography from 1839 to the Present. New York: Museum of Modern Art, 1982.
Norback, Craig T., and Melvin Gray, eds. The World’s Great News Photos, 1840-1980. New York: Crown Publishers, 1980.
Ohrn, Karin Becker. Dorthea Lange and the Documentary Tradition. Baton Rouge: Louisiana State University Press, 1980.
Oliver, Marc. “George Eastman’s Modern Stone-Age Family: Snapshot Photography and the Brownie.” Technology and Culture 48 (January 2007): 1–19.
“Weegee’s Voyeurism and the Mastery of Urban Disorder.”
American Art 6:1 (Winter 1992): 18-41.
Ostman, Ronald E., and Harry Littell. Margaret Bourke-White: The Early Work, 1922-1930. Boston: David R. Godine, 2005.
Panzer, Mary. Matthew Brady and the Image of History. Washington: Smithsonian Institution Press, 1997.
Panzer, Mary. Things As They Are: Photojournalism in Context since 1955. New York: Aperture, 2005.
Peterson, Larry. "Photography and the Pullman Strike: Remolding Perceptions of Labor Conflict by New Visual Communication," in The Pullman Strike and the Crisis of the 1890s: Essays on Labor and Politics, eds. Richard Schneirov, Shelton Stromquist, and Nick Salvatore (Urbana: University of Illinois Press, 1999.
Pegler-Gordon, Anna. In Sight of America: Photography and the Development of U.S. Immigration Policy. Berkeley: University of California Press, 2009.
Phillips, David Clayton. "Art for Industry's Sake: Halftone Technology, Mass Photography and the Social Transformation of American Print Culture, 1880-1920." Ph.D. Dissertation, Yale University, 1996.
Pierce, Paula M. "Frances Benjamin Johnson: Mother of American Photojournalism." Media History Digest 5 (Winter 1985): 54.
Quirke, Carol. “Camera Work: News Photography and America’s Working Class, 1919–1950.” Phd dissertation, City University of New York, 2005.
Quirke, Carol. Eyes on Labor: News Photography and America’s Working Class. New York: Oxford University Press, 2012.
Raeburn, John. A Staggering Revolution: A Cultural History of Thirties Photography. Urbana: University of Illinois Press, 2006.
Rhode, Robert B., and Floyd H. McCall. Press Photography: Reporting with a Camera. New York: Macmillan, 1961.
Rice, Stephen P. “Photography in Engraving on Wood: On the Road to the Halftone Revolution,” Common-Place 7 (April 2007), http://www.common-place.org.
Rohrbach, John. Color: American Photography Transformed. Austin: University of Texas Press, 2013.
Ruby, Jay. The World of Francis Cooper: Nineteenth-Century Philadelphia Photographer. University Park: Penn State University Press, 1999.
Rudisill, Richard. Mirror Image: The Influence of the Daguerreotype on American Society. Albuquerque: University of New Mexico Press, 1971.
Sandler, Martin W. The Story of American Photography. Boston: Little, Brown, 1979.
Sandweiss, Martha. Photography in Nineteenth Century America. New York: Abrams, 1991.
Sandweiss, Martha. Print the Legend: Photography and the American West. New Haven: Yale University Press, 2002.
Scholnick, Robert J. "Scribner's Monthly and the Pictorial Representation of Life and Truth in Post Civil War America." American Periodicals 1:1 (Fall 1991): 46-69.
Schuneman, R. Smith. "Art or Photography: A Question for Newspaper Editors of the 1890s." Journalism Quarterly 42 (Winter 1965): 43-53.
Schuneman, R. Smith. "The Photograph in Print: An Examination of New York Daily Newspapers, 1890-1937." Ph.D. dissertation, University of Minnesota, 1966.
Joan L. My Likeness Taken:
Daguerreian Portraits in America. Kent:
Kent State University Press, 2005.
Smith, Shawn Michele. American Archives: Gender, Race, and Class in Visual Culture. Princeton: Princeton University Press, 1999.
Snow, Rachel. “Tourism and American Identity: Kodak’s Conspicuous Consumers Abroad.” Journal of American Culture 31 (March 2008): 7–19. Special Issue. Heavily illustrated.
Sontag, Susan. On Photography. New York: Farrar, Straus, and Giroux, 1977.
Spencer, Otha B. “Twenty
Years of Life: A Study to Time,
Inc.’s Picture Magazine and its Contributions to Photojournalism.”
PhD dissertation, University of Missouri, 1958.
Larry Hawthorne. “Southern
Exposure: Photography and the Civil Rights Movement, 1955-1968.”
PhD dissertation, State University of New York- Stony Brook, 1983.
Stange, Maren. Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950. New York: Cambridge University Press, 1989.
Stott, William. Documentary Expression and Thirties America. New York: Oxford University Press, 1973.
Swedlund, Charles. Photography: A Handbook of History, Materials, and Processes. New York: Holt, Rinehart, and Winston, 1974.
Taft, Robert. Photography and the American Scene: A Social History, 1839-1889. New York: Dover, 1964.
Thomas, Margaret Frances. “Through the Lens of Experience: American Women Newspaper Photographers.” PhD dissertation, University of Texas, Austin, 2007.
Trachtenberg, Alan. Reading American Photographs: Images as History from Matthew Brady to Walker Evans. New York: Hill & Wang, 1989.
Trotti, Michael Ayers. “Murder Made Real: The Visual Revolution of the Halftone.” Virginia Magazine of History and Biography 111:4 (2003): 379-410.
Troyano, Joan Fragaszy. “Visualizing a Nation: Photographs, European Immigration, and American Identity, 1880–1980.” PhD dissertation, George Washington University, 2011.
Tucker, Anne. The Woman's Eye. New York: Knopf, 1973.
Turner, Pete. History of Photography. New York: Exeter Books, 1987.
Vanderlan, Robert J. “Walker Evans at Fortune.” Raritan 28:3 (Winter 2009): 81-104.
Vitray, Laura, et al. Pictorial Journalism. New York: McGraw-Hill, 1939.
Warner Marien, Mary. Photography and its Critics, 1839-1900. New York: Cambridge University Press, 1997.
Welling, William. Photography in America: The Formative Years, 1839-1900. New York: Thomas Y. Crowell, 1978.
Whelan, Richard. Capa. New York: Knopf, 1985.
Whiston Spirn, Anne. Daring to Look: Dorthea Lange’s Photographs and Reports from the Field. Chicago: University of Chicago Press, 2008.
Willis, Deborah. Reflections in Black: A History of Black Photographers 1840 to the Present. New York: Norton, 2000.
Williamson, Glen G. W. Eugene Smith and the Photographic Essay. New York: Cambridge University Press, 1992.
Wood, John, ed. America and the Daguerreotype. Iowa City: University of Iowa Press, 1991.*
Wood, John. The Art of Autochrome: The Birth of Color Photography. Iowa City: University of Iowa Press, 1993.
Wood, John. The Scenic Daguerreotype: Romanticism and Early Photography. Iowa City: University of Iowa Press, 1995.
Yochelson, Bonnie, and Daniel Czitrom. Rediscovering Jacob Riis: Exposure Journalism and Photography in Turn of the Century New York. New York: New Press, 2007.
Zelizer, Barbie. About to Die: How News Images Move the Public. New York: Oxford University Press, 2010.