Film [index]

     This list deals with a limited number of topics related to film.  Users will find references mostly to studies of the film industry, censorship-related issues, moviegoing, and cultural studies of film.
It does not contain biographies of famous film makers or movie stars, technical information about film production, or much in the way of theoretical or interpretive analysis of film content.

Abel, Richard, and Rick Altman.  The Sounds of Early Cinema.  Bloomington: Indiana University Press, 2001.

Abel, Richard.  Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914.  Berkeley: University of California Press, 2006.

Acker, Ally.  Reel Women.  New York: Continuum, 1991.

Alexander, William.  Film on the Left: American Documentary Film from 1931 to 1942.  Princeton: Princeton University Press, 1981.

Allen, Robert C.  Vaudeville and Film, 1895-1915: A Study in Media Interaction.  New York: Arno Press, 1980.

Allen, Robert C., and Douglas Gomery.  Film History: Theory and Practice.  New York: Knopf, 1985.

Ankerich, Michael G.  Broken Silence: Conversations with Twenty-three Silent Film Stars.  Jefferson, NC: McFarland, 1992.

Askari, Kaveh.  “Moving Pictures before Motion Pictures: The Pictorial Tradition and American Media Aesthetics, 1890-1920.”  PhD dissertation, University of Chicago, 2005.  

Balio, Tino, ed. The American Film Industry. Revised Edition.  Madison: University of Wisconsin Press, 1985.

Balio, Tino.  United Artists: The Company Built by the Stars.  Madison: University of Wisconsin Press, 1976.

Balio, Tino, ed., Hollywood in the Age of Television. Boston: Unwin Hyman, 1990.*

Balio, Tino.  Grand Design: Hollywood as a Modern Business Enterprise.  History of the American Cinema, Volume 5.  Berkeley: University of California Press, 1996.

Bandy, Mary Lea, ed.  The Dawn of Sound.  New York: Museum of Modern Art, 1989.*

Barbas, Samantha.  “The Political Spectator: Censorship, Protest, and the Movie-going Experience, 1912-1922.”  Film History 11:2 (1999): 217-229.

Barnouw, Erik.  Documentary: A History of the Nonfiction Film. New York: Oxford University Press, 1974.

Barrios, Richard.  A Song in the Dark: The Birth of the Musical Film.  New York: Oxford University Press, 1995.

Basinger, Jeanine.  A Woman's View: How Hollywood Spoke to Women, 1930-1960.  New York: Knopf, 1993.

Basinger, Jeanine.  The World War II Combat Film: Anatomy of a Genre.  New York: Columbia University Press, 1986.

Basten, Fred E.  Glorious Technicolor: The Movies' Magic Rainbow.  New York: Barnes, 1980.

Berg, Scott.  Goldwyn: A Biography.  London: Hamish Hamilton, 1989.

Bernardoni, James.  The New Hollywood: What Movies Did with the New Freedoms of the Seventies.  Jefferson, NC: MacFarland, 1991.

Bernstein, Matthew, ed.  Controlling Hollywood: Censorship and Regulation in the Studio Era.  New Brunswick: Rutgers University Press, 1999.

Black, Gregory D.  The Catholic Crusade Against the Movies, 1940-1975. New York: Cambridge University Press, 1998.

Black, Gregory D. Hollywood Censored: Morality Codes, Catholics, and the Movies.  New York: Cambridge University Press, 1994.

Bodnar, John.  Blue Collar Hollywood: Liberalism, Democracy, and Working People in American Film.  Baltimore: Johns Hopkins University Press, 2003.

Bordwell, David, Janet Staiger, and Kristin Thompson.  The Classical Hollywood Cinema: Film Style and Mode of Production to 1960.  New York: Columbia University Press, 1985.

Bowser, Eileen.  The Transformation of Cinema: 1907-1915.  History of the American Cinema, Volume 2.  Berkeley: University of California Press, 1990.

Brasell, R. Bruce.  “A Dangerous Experiment to Try’: Film Censorship During the Twentieth Century in Mobile, Alabama.”  Film History 15:1 (2003): 81-102.

Buhle, Paul, and Dave Wagner.  Hide in Plain Sight: The Hollywood Blacklistees in Film and Television, 1950-2002.  New York: Palgrave Macmillan, 2005.

Burgoyne, Robert.  Film Nation: Hollywood Looks at U.S. History.  Minneapolis: University of Minnesota Press, 1997.

Butters, Gerald R., Jr.  Banned in Kansas: Motion Picture Censorship, 1915–1966.  Columbia: University of Missouri Press, 2007.

Calder-Marshall, Arthur.  The Innocent Eye.  New York: Harcourt, Brace, 1966.

Campbell, Craig W.  Reel America and World War I: A Comprehensive Filmography and History of Motion Pictures in the United States, 1914-1920.  Jefferson, NC: McFarland, 1985.

Cameron, Evan William, ed.  Sound and the Cinema: The Coming of Sound to American Film.  Pleasantville, NY: Redgrave, 1980.*

Caspar, Drew.  Postwar Hollywood: 1946-1962.  New York: Wiley, 2007.

Ceplair, Larry, and Steven Englund.  The Inquisition in Hollywood: Politics in the Film Community, 1930-1960.  Urbana: University of Illinois Press, 2003.

Ceplair, Larry.  The Marxist and the Movies: A Biography of Paul Jarrico.  Lexington: University Press of Kentucky, 2007.

Charney, Leo, and Vanessa R. Schwartz, eds.  Cinema and the Invention of Modern Life.  Berkeley: University of California Press, 1995.

Christensen, Terry, and Peter J. Hass.  Projecting Politics: Political Messages in American Films.  Armonk: M.E. Sharpe, 2005.

Clark, Danae.  Negotiating Hollywood: The Cultural Politics of Actors' Labor.  Minneapolis: University of Minnesota Press, 1995.

Cohen, Paula M.  Silent Film and the Triumph of the American Myth.  New York: Oxford University Press, 2001.

Conant, Michael.  Antitrust in the Motion Picture Industry: Economic and Legal Analysis.  Berkeley: University of California Press, 1960.

Cook, David A.  Lost Illusions: American Cinema in the Shadow of Vietnam and Watergate, 1970-1979.  History of the American Cinema, Volume 9.  Berkeley: University of California Press, 2002.

Couvares, Francis G., ed., Movie Censorship and American Culture. Washington: Smithsonian Institution Press, 1996.*

Crafton, Donald.  Before Mickey: The Animated Film, 1898-1926.  Boston: MIT Press, 1982.

Crafton, Donald.  The Talkies: American Cinema's Transition to Sound, 1926-1931.  History of American Cinema, Volume 4.  Berkeley: University of California Press, 1997.

Cripps, Thomas.  Slow Fade to Black: The Negro in American Film, 1900-1942.  New York: Oxford University Press, 1977.

Cripps, Thomas.  Making Movies Black: The Hollywood Message Movie from World War II to Civil Rights.  New York: Oxford University Press, 1993.

Custen, George.  Twentieth Century Fox:  Darryl F. Zanuck and the Culture of Hollywood.  New York: Basic Books, 1997.

Czitrom, Daniel.  "The Redemption of Leisure: The National Board of Censorship and the Rise of Motion Pictures in New York City, 1900-1920."  Studies in Visual Communication 10 (Fall 1984): 2.

DeBauche, Leslie Midkiff.  Reel Patriotism: The Movies and World War I. Madison: University of Wisconsin Press, 1997.

DeCordova, Richard.  Picture Personalities: The Emergence of the Star System in Hollywood.  Urbana: University of Illinois Press, 1990.

Di Laura, Al, and Gerald Rabkin.  Dirty Movies: An Illustrated History of the Stag Film.  New York: Chelsea House, 1976.

Diawara, Manthia, ed.  Black American Cinema.  New York: Routledge, 1993.

Dick, Bernard F.  Radical Innocence: A Critical Study of the Hollywood Ten.  Lexington: University Press of Kentucky, 1989.

Dick, Bernard F.  The Star-Spangled Screen: The American World War II Film.  Lexington: University Press of Kentucky, 1985.

Doherty, Thomas P.  Pre-code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press, 1999.

Doherty, Thomas P.  Projections of War: Hollywood, American Culture, and World War II. New York: Columbia University Press, 1999.  

Doherty, Thomas.  Hollywood’s Censor: Joseph I. Breen & the Production Code Administration.  New York: Columbia University Press, 2007.

Eams, John Douglas.  The MGM Story.  New York: Crown, 1977.

Eckstein, Arthur.  “The Hollywood Ten in History and Memory.”  Film History 16:4 (2004): 424-436.

Ehrlich, Matthew C.  Journalism in the Movies.  Urbana: University of Illinois Press, 2004.

Esperdy, Gabrielle.  “From Instruction to Consumption: Architecture and Design in Hollywood Movies of the 1930s.”  Journal of American Culture 30: 2 (June 2007): 198-211.

Evans, Joyce A. Celluloid Mushroom Clouds: Hollywood and the Atomic Bomb. Boulder: Westview Press, 1998.

Everson, William K.  American Silent Film.  New York: Oxford University Press, 1978.

Eyman, Scott.  The Speed of Sound: Hollywood and the Talkie Revolution.  New York: Simon & Schuster, 1997.

Faulkner, Robert R.  Hollywood Studio Musicians: Their Work and Careers in the Recording Industry.  Chicago: Aldine and Atherton, 1971.

Fielding, Raymond.  The American Newsreel: A Complete History, 1911-1967.  2 ed.  Jefferson, NC: McFarland, 2006.

Fine, Richard.  Hollywood and the Profession of Authorship, 1928-1940.  Ann Arbor: UMI, 1985.

Fisher, Robert.  "Film Censorship and Progressive Reform: The National Board of Censorship of Motion Pictures."  Journal of Popular Culture 4:2 (1975): 143-156.

Flamini, Roland.  Thalberg: The Last Tycoon and the World of MGM.  New York: Crown, 1994.

Freedland, Michael.  The Warner Brothers.  London: Harrap, 1983.

Friedlich, Otto.  City of Nets: A Portrait of Hollywood in the 1940s.  New York: Harper and Row, 1986.

Friedman, Lester D., ed.  Unspeakable Images: Ethnicity and the American Cinema.  Urbana: University of Illinois Press, 1991.

Frost, Jennifer. “‘Good Riddance to Bad Company’: Hedda Hopper, Hollywood Gossip, and the Campaign against Charlie Chaplin, 1940–1952.” Australasian Journal of American Studies  26 (December 2007): 74–88.

Frost, Jennifer.  “Hedda Hopper, Hollywood Gossip, and the Politics of Racial Representation in Film, 1946-1948.”  Journal of African American History 93:1 (Winter 2008): 36-63.

Fyne, Robert.  The Hollywood Propaganda of World War II.  Metuchen, NJ: Scarecrow Press, 1994.

Fuller-Seeley, Katherine, ed.  Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing.  Berkley: University of California Press, 2008.

Gabler, Neal.  An Empire of Their Own: How the Jews Invented Hollywood.  New York: Crown, 1988.

Gardner, Gerald C.  The Censorship Papers: Movie Censorship Letters From the Hays Office, 1934-1968.  New York: Dodd Mead, 1987.

Gerstner, David A.  Manly Arts: Masculinity and Nation in Early American Cinema.  Durham: Duke University Press, 2006. 

Gevinson, Alan, ed.  Within Our Gates: Ethnicity in American Feature Films, 1911-1960.  Berkeley: University of California Press, 1997.

Gladchuk, John Joseph. "Reticent Reds: HUAC, Hollywood, and the Evolution of the Red Menace, 1935-1950."  PhD dissertation, University of California- Riverside, 2006.  

Gladchuk, John.  Hollywood and Anticommunism: HUAC and the Evolution of the Red Menace.  New York: Routledge, 2006.

Giovaccini, Saverio.  Hollywood Modernism: Film and Politics in the Age of the New Deal.  Philadelphia: Temple University Press, 2001.

Gomery, Douglas.  The Coming of Sound to American Cinema: A History of the Transformation of an Industry.  Madison: University of Wisconsin Press, 1975.

Gomery, Douglas.  The Hollywood Studio System, 1930-1949.  New York: St. Martin's Press, 1989.

Gomery, Douglas.  Movie History: A Survey.  Belmont, CA: Wadsworth, 1991.

Gomery, Douglas.  Shared Pleasures: A History of Movie Presentation in the United States. Madison: University of Wisconsin Press, 1992.

Good, Howard, and Michael J. Dillon.  Media Ethics Goes to the Movies.  Westport, Conn.: Greenwood Press, 2002.

Gorham, Kindem, ed.  The American Movie Industry: The Business of Motion Pictures.  Carbondale: Southern Illinois University Press, 1982.

Grieveson, Lee.  Policing Cinema: Movies and Censorship in Early Twentieth Century America.  Berkeley: University of California Press, 2004.

Haberski, Raymond J., Jr.  Its Only a Movie!: Films and Critics in American Culture.  Lexington: University Press of Kentucky, 2001.

Hamilton, Marsha J., and Eleanor S. Block, eds.  Projecting Ethnicity and Race: An Annotated Bibliography of Studies on Imagery in American Film.  Westport, Conn.: Praeger, 2003.

Hansen, Miriam.  Babel & Babylon: Spectatorship in American Silent Film.  Cambridge: Harvard University Press, 1991.

Horne, Gerald.  Class Struggle in Hollywood 1930-1950: Moguls, Mobsters, Stars, Reds and Trade Unionists. Austin: University of Texas Press, 2001.

Horne, Gerald.    The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten.  Berkeley: University of California Press, 2006.

Humphries, Reynold.  Hollywood’s Blacklists: A Political and Cultural History.  Edinburgh: Edinburgh University Press, 2008.

Inglis, Ruth.  Freedom of the Movies: A Report on Self-Regulation from the Commission on Freedom of the Press.  Chicago: University of Chicago Press, 1947.

Izod, John.  Hollywood and the Box Office, 1895-1986.  New York: Columbia University Press, 1988.

Jacobs, Lea.  The Wages of Sin: Censorship in the Fallen Woman Film.  Madison: University of Wisconsin Press, 1991.

Jarvis, Arthur R., Jr.  “The Payne Fund Reports: A Discussion of their Content, Public Reaction, and Affect on the Motion Picture Industry, 1930-1940.”  Journal of Popular Culture 25:2 (Fall 1991): 127-140.

Jewell, Richard B.  The Golden Age of Cinema, 1929-1945.  Malden, MA: Blackwell, 2007.

Jowett, Garth.  Film, the Democratic Art.  Boston: Little, Brown, 1976.

Jowett, Garth.  "Social Science as a Weapon: The Origin of the Payne Fund Studies, 1926-1929."  Communication 13:3 (1992): 211-225.

King, Rob.  The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture.  Berkeley: University of California Press, 2009.

Klinger, Barbara.  Beyond the Multiplex: Cinema, New Technologies, and the Home.  Berkeley: University of California Press, 2006.

Koppes, Clayton R. and Gregory D. Black, Hollywood Goes to War: How Politics, Profits and Propaganda Shaped World War II Movies. New York: Free Press, 1987.

Koszarski, Richard.  An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928.  History of the American Cinema, Volume 3.  Berkeley: University of California Press, 1990.

Koszarski, Richard.  Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff.  New Brunswick: Rutgers University Press, 2008.

Krutnik, Frank, Steve Neale, Brian Neve, and Peter Stanfield, eds.  “Un-American” Hollywood: Politics and Film in the Blacklist Era.  New Brunswick: Rutgers University Press, 2008.

Landy, Marcia, ed. The Historical Film: History and Memory in Media.  New Brunswick: Rutgers University Press, 2001.

Lashner, Marilyn A.  The Chilling Effect in Television News: Intimidation by the Nixon White House.  New York: Praeger, 1984.

Leab, Daniel J.  From Sambo to Superspade: The Black Experience in Motion Pictures.  Boston: Houghton Mifflin, 1975.

Leab, Daniel. “The Government and the Filming of George Orwell’s Animal Farm in the 1950s.”   Media History (Abingdon) 12 (August 2006): 133–155.

Leff, Leonard J., and Jerold L. Simmons.  The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s.  New York: Grove Weidenfield, 1990.

Lopate, Phillip, ed.  American Movie Criticism: An Anthology from the Silents Until Now.  New York: Library of America, 2006.

Lorence, James L.  The Suppression of Salt of the Earth: How Hollywood, Big Labor, and Politicians Blacklisted a Movie in Cold War America.  Albuquerque: University of New Mexico Press, 1999.

Lounsbury, Myron.  “Flashes of Lightning: The Moving Picture in the Progressive Era.”  Journal of Popular Culture 3:4 (Spring 1970): 769-797.

Lyons, Timothy James.  The Silent Partner: The History of the American Film Manufacturing Company, 1910-1921.  New York: Arno Press, 1974.

Mahar, Karen Ward.  Women Filmmakers in Early Hollywood.  Baltimore: Johns Hopkins University Press, 2006.

McEnteer, James.  Shooting the Truth: The Rise of American Political Documentaries.  Westport, Conn.: Prager, 2006.  

McGilligan, Patrick, and Paul Buhle.  Tender Comrades: A Backstory of the Hollywood Blacklist.  New York: St. Martin’s Press, 1999.

McLaughlin, Robert L., and Sally E. Parry.  We’ll Always Have the Movies: American Cinema During World War II.  Lexington: University Press of Kentucky, 2006.

Maland, Charles.  Chaplin and American Culture.  Princeton: Princeton University Press, 1989.

Maltby, Richard.  Harmless Entertainment: Hollywood and the Ideology of Consensus.  Metuchen, NJ: Scarecrow Press, 1983.

May, Lary. The Big Tomorrow: Hollywood and the Politics of the American Way.  Chicago: University of Chicago Press, 2000.

May, Lary. Screening Out the Past: The Birth of Mass Culture and the Motion Picture Industry.  Chicago: University of Chicago Press, 1983.

Marx, Samuel.  Mayer and Thalberg: The Make-Believe Saints.  New York: Warner Books, 1975.

Meckna, Michael. “Louis Armstrong in the Movies, 1931–1969.”  Popular Music and Society 29 (July 2006): 359–73.

Moley, Raymond.  The Hays Office.  Indianapolis: Bobbs Merrill, 1945.

Mordden, Ethan.  Medium Cool: The Films of the 1960s.  New York: Knopf, 1990.

Muscio, Giuliana.  Hollywood's New Deal.  Philadelphia: Temple University Press, 1997.

Musser, Charles.  The Emergence of Cinema: The American Screen to 1907.  History of the American Cinema, Volume 1.  Berkeley: University of California Press, 1990.

Musser, Charles.  Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company.  Berkeley: University of California Press, 1991.

Novotney Lawrence, William.  Blaxploitation Films of the 1970s.  New York: Routledge, 2008.  

Olsson, Jan.  Los Angeles before Hollywood: Journalism and American Film Culture, 1905 to 1915.  New York: Columbia University Press, 2009.

Ooten, Melissa Dawn.  “Screen Strife: Race, Gender, and Movie Censorship in the New South, 1922–1965.” PhD dissertation, College of William and Mary, 2005.

Osterweil, Ara Cybele.   "Flesh Cinema: The Corporeal Avant-Garde, 1959-1979."  PhD dissertation, University of California- Berkeley, 2005.  

Palmer, Tim.  “Side of the Angels: Dalton Trumbo, the Hollywood Trade Press, and the Blacklist.”  Cinema Journal 44:4 (Summer 2005): 57-74.

Pizzitola, Louis.  Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies.  New York: Columbia University Press, 2002.

Pratt, George.  Spellbound in the Darkness: A History of the Silent Film.  Greenwich, CT: New York Graphic Society, 1973.

Prince, Stephen.  A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980-1989.  History of American Cinema, Volume 10.  Berkeley: University of California Press, 2002.

Prince, Stephen.  Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968.  New Brunswick: Rutgers University Press, 2003.

Prindle, David F.  Risky Business: The Political Economy of Hollywood.  Boulder: Westview Press, 1993.

Prindle, David F.  The Politics of Glamour: Ideology and Democracy in the Screen Actors Guild.  Madison: University of Wisconsin Press, 1988.

Rabinovitz, Lauren.  For the Love of Pleasure: Women, Movies, and Culture in Turn of the Century Chicago.  New Brunswick: Rutgers University Press, 1998.

Roberts, Van Thomas. “Censorship and Propaganda in the Warner Brothers War Films of World War II, 1942–1945.”  PhD dissertation, Mississippi State University, 2006.

Roddick, Nick.  A New Deal in Entertainment: Warner Brothers in the 1930s.  London: BFI, 1983.

Rollins, Peter C., ed., Hollywood as Historian: American Film in a Cultural Context. Lexington: University of Kentucky Press, 1983.

Rosenbloom, Nancy J.  “From Regulation to Censorship: Film and Political Culture in New York in the Early Twentieth Century.”  Journal of the Gilded Age and Progressive Era 3:4 (October 2004): 369-406.

Ross, Harris.  “D. W. Griffith v. City Hall: Politics, Ethnicity, and Chicago Film Censorship.” Journal of the Illinois State Historical Society  100 (Spring 2007): 19–40.  

Ross, Harris. “The Pennsylvania State Board of Censors: The Great War, the Movies, and D. W. Griffith.”  Pennsylvania History 75 (Spring 2008): 227–59.

Ross, Murray.  Stars and Strikes: Unionization of Hollywood.  New York: Oxford University Press, 1941.

Ross, Steven J. Working-Class Hollywood: Silent Films and the Shaping of Class in America. Princeton: Princeton University Press, 1998.

Sachsman, David B., S. Kittrell Rushing, and Roy Morris Jr., eds. Memory and Myth: The Civil War in Fiction and Film from Uncle Tom’s Cabin to Cold Mountain. West Lafayette, Ind.: Purdue University Press, 2007.

Salzman, Joe.  Frank Capra and the Image of the Journalist in American Film.  Los Angeles: Norman Lear Center, Annenberg School of Communication, 2002.

Sargent, Epes W.  Picture Theater Advertising.  New York: Chalmers Publishing Company, 1915.

Sbardelli, John.  “Brassbound G-Men and Celluloid Reds: The FBI’s Search for Communist Propaganda in Wartime Hollywood.”  Film History 20:4 (2008): 412-436.

Schaefer, Eric.  Bold! Daring! Shocking! True!  A History of Exploitation Films, 1919, 1959.  Durham: Duke University Press, 1999.

Schaefer, Eric.  “Gauging a Revolution: 16mm Film and the Rise of the Pornographic Feature.”  Cinema Journal 41:3 (September 2002): 3-26.

Schatz, Thomas.  Boom and Bust: American Cinema in the 40s.  History of American Cinema, Volume 6.  Berkeley: University of California Press, 1999.

Schumach, Murray.  The Face on the Cutting Room Floor: The Story of Movie and Television Censorship.  New York: William Morrow and Co., 1964.  (1975 reprint also available)

Setliff, Jonathan Stuart.  “The March of Time and the American Century.”  PhD dissertation, University of Maryland, College Park, 2007.

Shaw, Tony.  Hollywood’s Cold War.  Amherst: University of Massachusetts Press, 2007.

Siomopoulos, Anna M.  "Public Daydreams:  Consumer Citizenship and Hollywood Cinema in the 1930s."  Ph D dissertation, University of Chicago, 2003.

Sklar, Robert.  Movie-Made America: A Cultural History of the American Movies.  New York: Random House, 1975.

Slide, Anthony.  The American Film Industry: A Historical Dictionary.  Westport, CT: Greenwood Press, 1986.

Smoodin, Eric.  “Watching the Skies: Hollywood and the Soviet Threat.”  Journal of American Culture 11:2 (Summer 1988): 35-40.

Smyth, J. E.  “Hollywood ‘Takes One More Look’: Early Histories of Silent Hollywood and the Fallen Star Biography, 1932–1937.”  Historical Journal of Film, Radio, and Television (Abingdon) 26 (June 2006): 179–201.

Springhall, John.  “Censoring Hollywood: Youth, Moral Panic, and Crime/Gangster Movies of the 1930s.”  Journal of Popular Culture 32:3 (Winter 1998): 135-154.  

Stamp Lindsey, Shelley.  “Oil Upon the Flames of Vice’: The Battle Over White Slave Films in New York City.”  Film History 9:4 (1997): 351-364.

Strub, Whitney. “Black and White and Banned All Over: Race, Censorship, and Obscenity in Postwar Memphis.”  Journal of Social History 40 (Spring 2007): 685–715.

Thompson, Kristin.  Exporting Entertainment: America in the World Film Market.  London: British Film Institute, 1985.

Vaughn, Robert.  Only Victims: A Study of Show Business Blacklisting.  New York: Putnam, 1972.

Vaughn, Stephen.  "Morality and Entertainment: The Origins of the Motion Picture Production Code." Journal of American History 71 (June 1990): 39.

Vaughn, Stephen. Ronald Reagan in Hollywood: Movies and Politics. New York: Cambridge University Press, 1994.

Vaughn, Stephen. “The Devil’s Advocate: Will H. Hays and the Campaign to Make Movies Respectable.” Indiana Magazine of History 101 (June 2005): 125­52.

Vaughn, Stephen.  Freedom and Entertainment: Rating the Movies in an Age of New Media.  New York: Cambridge University Press, 2005.

Walsh, Frank.  Sin and Censorship: The Catholic Church and the Motion Picture Industry.  New Haven: Yale University Press, 1996.

Waterman, David.  Hollywood’s Road to Riches.  Cambridge: Harvard University Press, 2005.

Welky, David.  The Moguls and the Dictators: Hollywood and the Coming of World War II.  Baltimore: Johns Hopkins University Press, 2008.

Wilinsky, Barbara.  “A Thinly Disguised Veneer Covering a Filthy Sex Picture’: Discourses on Art Houses in the 1950s.”  Film History 8:2 (1996) 143-158.

Wittern-Keller, Laura, and Raymond J. Haberski Jr. The Miracle Case: Film Censorship and the Supreme Court.  Lawrence: University Press of Kansas, 2008.

Wittern-Keller, Laura.  Freedom of the Screen: Legal Challenges to State Film Censorship, 1915-1981.  Lexington: University Press of Kentucky, 2008.